Vintage Grass Valley 200 Component Studio Broadcast Video Switcher Mixer

Model 200 Production Switcher
-Linear keying
-Optional Linear Borderline Key Edgar provides a variety of modes including multiple-line drop shadow, border, outline, and transparent shadows
-Preset wipe l Optional multi-format chroma keyer for up to eight sources. You can use an RGB signal from a camera or color difference signal from a Beta or MII component tape source
-Luminance key
- “Over” Function Switch-layer keyer priority in each mix affact
-Auto select mode l Accumulative latch for fill and key signals
-Six assignable external key source inputs/mix effect
-Four external key fills/mix affect
-Standard Key Masking. You can create realistic key effects with the dedicated shutter (box) mask, external key mask or either ME wipe output in any keyer-including the downstream keyer. To optimize key appearance, the mask system also features invert and forced foreground modes
-Key Memory. Key selection recalls clip, hue and gain
-Horizontal and Vertical Multipliers. Multiply a basic pattern from one to four times on the horizontal or vertical axis
-Border, soft and border symmetry modes l Rata controlled positioner
-Normal, reverse, and flip-flop wipe direction modes
-Four Learn User Wipe Registers. Saves wipe pattern and all modifiers, so you can recreate the setup at the push of a button

Matrix Wipe Patterns

l 32 Programmed Wipe Patterns. Six patterns are available through dedicated buttons, and 26 through user personality assignment
l 64 x 48 Pattern. You can fill the screen with over 3,000 tiles
l Pattern Mix Mode. Modulates any analog wipe pattern with the selected matrix pattern for an endless variety of effects

With 20 primary inputs and two mix effects, the 200 gives You more keying power than has ever been offered in a mid-sized production switcher.

For starters, the 200 gives You the creative freedom of five powerful keyers, two in each ME and one downstream. You can use either ME as a background for the downstream keyer, which also includes a fade-to-black and an output blanking processor.

The 200 gives You one matte generator for each keyer, one for each wipe system, and two background generators-for a total of nine-in addition to the color-black generator. And for even more creative versatility, the background generators provide background wash.

The 200 standard affects memory system gives You the fraadom to program affects with standard registers and quickly recall them on any switcher level.



When you need to move fast, you’ll appreciate the 200’s aasyto-use features, including look-ahead preview, preset black mix and auto delegation. Plus display windows for mounting Horizon multi-destination routing displays. Model 200 Production Switching

Vintage Grass Valley 200 Component Studio Broadcast Video Switcher Mixer

Model 200 Production Switcher
-Linear keying
-Optional Linear Borderline Key Edgar provides a variety of modes including multiple-line drop shadow, border, outline, and transparent shadows
-Preset wipe l Optional multi-format chroma keyer for up to eight sources. You can use an RGB signal from a camera or color difference signal from a Beta or MII component tape source
-Luminance key
- “Over” Function Switch-layer keyer priority in each mix affact
-Auto select mode l Accumulative latch for fill and key signals
-Six assignable external key source inputs/mix effect
-Four external key fills/mix affect
-Standard Key Masking. You can create realistic key effects with the dedicated shutter (box) mask, external key mask or either ME wipe output in any keyer-including the downstream keyer. To optimize key appearance, the mask system also features invert and forced foreground modes
-Key Memory. Key selection recalls clip, hue and gain
-Horizontal and Vertical Multipliers. Multiply a basic pattern from one to four times on the horizontal or vertical axis
-Border, soft and border symmetry modes l Rata controlled positioner
-Normal, reverse, and flip-flop wipe direction modes
-Four Learn User Wipe Registers. Saves wipe pattern and all modifiers, so you can recreate the setup at the push of a button

Matrix Wipe Patterns

l 32 Programmed Wipe Patterns. Six patterns are available through dedicated buttons, and 26 through user personality assignment
l 64 x 48 Pattern. You can fill the screen with over 3,000 tiles
l Pattern Mix Mode. Modulates any analog wipe pattern with the selected matrix pattern for an endless variety of effects

With 20 primary inputs and two mix effects, the 200 gives You more keying power than has ever been offered in a mid-sized production switcher.

For starters, the 200 gives You the creative freedom of five powerful keyers, two in each ME and one downstream. You can use either ME as a background for the downstream keyer, which also includes a fade-to-black and an output blanking processor.

The 200 gives You one matte generator for each keyer, one for each wipe system, and two background generators-for a total of nine-in addition to the color-black generator. And for even more creative versatility, the background generators provide background wash.

The 200 standard affects memory system gives You the fraadom to program affects with standard registers and quickly recall them on any switcher level.



When you need to move fast, you’ll appreciate the 200’s aasyto-use features, including look-ahead preview, preset black mix and auto delegation. Plus display windows for mounting Horizon multi-destination routing displays. Model 200 Production Switching